Not only must I be full of thank to Victoria Sandison for confirming that I DO need a visa to go to Australia, but I must thank the Austrailian Embassy robot for granting it within about an hour and a half. That's good, isn't it?
And thank you, thank you, thank you for a gentle group of teens this time around. Very grateful indeed for that, I really am. And for Pudding, who was such a pleasure today. And for Kat - we keep missing each other.
Oh... I found this - it's an article I must have written a couple of years ago. I've been in a residential home today, talking to people with the most amazing faces - eyes that don't work any more, open around the edges and watering constantly, but full of spark and fire and canniness.
 |
| Agnes & Walter * |
I met for the second time an old gentleman whose wife visits him every day, holds his hand and chats to him. He's frail and makes distressed sounds, sometimes, but if you ask for a handshake, you get a grip that's firm like a bouncer's. He's always had a firm handshake, she says, and gazes lovingly at his elongated face, full of lines, looking into his eyes and seeing who he used to be as well as who he is now, squeezes that strong hand and strokes his hair. He gives a little smile too, mostly with his eyes. They're both beautiful... And they're the same people as they were, only older. Botox, my arse. How about love?
And on that note, that old bit of text:
The level of wrath I felt reading a londonpaper article on
Botox, or ‘B’, as it was whimsically referred to by its bland-faced author at
every opportunity, surprised even me. It wasn’t so much its advocacy of the use
of the stuff in itself, but the suggestion that it could be some kind of panacea
for everything from frown lines to relationship break-ups, corporate stress and
an ‘intense relationship with alcohol’ that left me a little bit livid.
Just like most women (and men), I don’t always look my best.
There are times working too hard, crying for hours over a failed relationship
or over-indulging in my vice of choice takes its toll, but – and forgive me for
being obtuse here – how is an eyebrowful of Botox going to make those things
better?
What is this obsession with looking like everyone else? Most
of the people we aspire to ressemble don’t even look like that themselves.
They’re airbrushed to high heaven. They’re not real. And you can be sure that
if the majority of the population could look like them, the some other look
would be to die for and the whole thing would start again. A faceful of ‘B’ might
stretch your face, but it does not make you a better person. And some people
take it to extremes. Mariah Carey is pushing 40 but still looks like she’s barely
legal. That’s not something to aspire to, it’s an embarrassment! ‘Stop denying
yourself, Mariah!’ I want to shout, ‘You’ve aged, you’ve grown up, you’ve moved
on… enjoy it!’ I’m not sure she’d listen.

Which is more interesting, a face that looks like a painted
balloon stretched over a shoe-horn or a time-worn, weathery, characterful face,
riddled with stories; a face that’s embraced every emotion there is to feel; a face
that has spent uninhibited hours cleaving the furrows of agony and ecstasy?
There’s more to beauty than a physical norm. For me, it’s
the story behind the face and the spark behind the eyes. Eyes full of mischief
or passion or peace; eyes that offer something and are full of life – seen in the
faces of people who embrace who they are, wrinkles and all.
Bugger Botox, let’s grow old with glee. Let’s revel in our facial
folds and extra jowls. I plan to grow a big, soft, downy old-lady face full of
broken veins and smile lines so deep, you could hide food in them (and I probably
will); a face like an old storm that I’ll use to terrorise children with gay
abandon; a face with firework eyes and without apology, that says ‘My life’s
been a scream – come and hear how!’
* If you ever get the chance, check out Agnes & Walter - a beautiful dance piece with one couple in two generations. It's outstanding. Moved me beyond tears, delighted me, and made me hopeful.